I am a long time user of Last.FM, the music database and social network site. Most people who use the service know they were purchased some time ago by CBS Records, for around a $100 million US Dollars. That didn’t surprise me since Last.FM was successful and major corporations love to buy success. What has surprised me is the story in the news over the last week that Last.FM, via their parent CBS, handed over their users listening habits (i.e. the database of the songs played on their computer) to the RIAA.

The facts in this story are somewhat in dispute, Last.FM pleads innocence, and CBS is stonewalling. There was no court order or legal case that warranted the transfer of data, these are two friendly parties sharing corporate intelligence. TechCrunch claims inside knowledge and was one of the first to break the story; these are some of Michael Arrington’s conclusions:

We believe Last.fm and CBS violated their own privacy policy in the transmission of this data. We also believe CBS and Last.fm may have violated EU privacy laws, including the Data Protection Directive, and should be investigated by the appropriate authorities.
And to the CBS employee who was fired and threatened based on this story – we believe certain U.S. Whistle Blower laws may protect you from retaliation from CBS in this matter. We’d like to provide you with legal counsel at our cost.

There has been a lot of tweeter about how the data is useless to the RIAA; I don’t know about that. What this story has made me think about is the theory of the Panopticon and how the threat of surveillance mediates the surveiled’s actions. If you think someone is watching, you are going to change your behavior. So just having the story circulated in the press is going to impact some Last.FM users behavior, they may be less likely to play music obtained through pirate networks.

Users of Social Networking sites offer them selves up to surveillance, Facebook, Twitter, Last.FM and many more sites are designed to keep track of their users. All that data about our personal lives is accumulating in the data bases of private corporations. Who knows where it will end up and what might be done with it; what can you do about it anyway, not much at this point.

The “Commons” or the places for community use, have been privatized, be it Shopping Malls or Virtual worlds, ala Second Life or social networking sites. Our traditional freedoms don’t apply in privatized spaces. That includes corporate databases like those of CBS Records. It is time to get serious about Privacy in the 21st Century and the laws that may be needed to protect that privacy. Why are no politicians talking about this, maybe because there is a terrorist or a drug dealer under every bed.

Music has a long history of effecting the emotions; soothing the savage beast etc. A few weeks ago I was at a local club {Nectar Lounge} and was lucky to see Gui Boratto; his music was soothing but powerful, it was more exciting than soothing to tell the truth.  The volume was loud, the bass reverberating through my chest, the crowd was large the dance floor full. People were bouncing, dancing and in the end screaming for joy. It was marvelous. Gui’s music is labeled with different monikers, House, Progressive House, Minimal House, or just techno, I am sure it is ecstatic.

Gui Boratto has been an architect, a advertising man, a record producer and composer, he certainly knows how to build momentum and musical structures that are deeply effecting. I can testify that the crowd I was part of was soaring on the sonic waves Gui produced in his live show.

photo from Boxcar Kyla

His second album,  Take My Breath Away,  is now available on the Kompakt Label from Germany

This is a taste of his work :
No Turning Back
Album Title : Take My Breath Away
Vocals: Luciana Villanova
Date : 2009
Composer : Gui Boratto

Ah Sunflower

William Blake : Ah! Sunflower

Ah! sunflower, weary of time,
Who countest the steps of the sun,
Seeking after that sweet golden clime
Where the traveller’s journey is done;

Where the youth pined away with desire,
And the pale virgin shrouded in snow,
Arise from their graves and aspire;
Where my sunflower wishes to go.

William Blake (1757-1827)

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School of Seven Bells

Benjamin Curtis and  twin sisters Alejandra and Claudia Deheza make up the band School of Seven Bells.

©Ghostly International

This dreamy eclectic trio have one album Alpinisms. They have recorded with a variety of alternative types like Prefuse 73,  and have toured with Blonde Redhead.  The name School of Seven Bells is taken from a mythical school for pick pockets (poets)  hidden away somewhere in South America. The band is Brooklyn based and the three musician share a house and work from home.

Their music is transcendental, with serious hypnotic electronic grooves,  their  lyrics match the poetic mysticism of their lush sound. Sometimes it is a crashing exuberance like My Blood Valentine, some times it is soft and sweet.  The twins Alejandra and Claudia do most all the singing, their voices sound so similar you can’t tell them apart.; this makes for a very natural, “over dubbed” sound. Even though their music is heavily electronic, they have a very organic style.

A good example is Sempiternal/Amaranth

[sem-pi-tur-nl] – adjective  everlasting; eternal.
[am?a?ranth] – noun an imaginary, undying flower. unfading flower

Sempiternal/Amaranth is  an eleven and a half minute masterpiece that soars to the summit, a musical form of Alpinism (The Art of Mountain Climbing).

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